Giuseppe Abbati
Italian, 1836-1868 Abbati was born in Naples and received early training in painting from his brother Vincenzo. He participated in Garibaldi 1860 campaign, suffering the loss of his right eye at the Battle of Capua. Afterwards he moved to Florence where, at the Caffe Michelangiolo, he met Giovanni Fattori, Silvestro Lega, and the rest of the artists who would soon be dubbed the Macchiaioli. While his early paintings were interiors, he quickly became attracted to the practice of painting landscapes en plein air. His activity as a painter was interrupted during 1866 when he enlisted again in the army for the Third Independence War, during which he was captured by the Austrians and held in Croatia. Returning to civilian life at the end of the year, he moved to Castelnuovo della Misericordia and spent the final year of his life painting in the countryside. Abbati died at the age of thirty-two in Florence after his own dog bit him, infecting him with rabies. Giuseppe Abbati, The Tower of the Palazzo del Podesta, 1865, oil on wood, 39 x 32 cm.His paintings are characterized by a bold treatment of light effects. He often painted a luminous landscape scene as seen through the doorway of a darkened interior, as in the View from the Wine Cellar of Diego Martelli (1866). Some of his late landscapes are in the greatly elongated horizontal format often favored by the Macchiaioli.

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Giuseppe Abbati Landscape at Castiglioncello oil painting


Landscape at Castiglioncello
mk235 1863 Oil on canvas 10x30cm
Painting ID::  54402
Giuseppe Abbati
Landscape at Castiglioncello
mk235 1863 Oil on canvas 10x30cm
   
   
     

Giuseppe Abbati The Tower of the Palazzo del Podesta oil painting


The Tower of the Palazzo del Podesta
The Tower of the Palazzo del Podesta, 1865, oil on wood, 39 x 32 cm.
Painting ID::  58162
Giuseppe Abbati
The Tower of the Palazzo del Podesta
The Tower of the Palazzo del Podesta, 1865, oil on wood, 39 x 32 cm.
   
   
     

Giuseppe Abbati Abbati Baia a Caletta oil painting


Abbati Baia a Caletta
Baia a Caletta, ol/tv, cm 13x40
Painting ID::  68009
Giuseppe Abbati
Abbati Baia a Caletta
Baia a Caletta, ol/tv, cm 13x40
   
   
     

Giuseppe Abbati Abbati Interno di un chiostro oil painting


Abbati Interno di un chiostro
Interno di un chiostro, ol/cartone, cm 19,3x25,2 Firenze, Gall. dearte moderna
Painting ID::  68010
Giuseppe Abbati
Abbati Interno di un chiostro
Interno di un chiostro, ol/cartone, cm 19,3x25,2 Firenze, Gall. dearte moderna
   
   
     

Giuseppe Abbati Abbati Lattaio di Piagentina oil painting


Abbati Lattaio di Piagentina
Il lattaio di Piagentina, ol/tl, 39 x 42 cm
Painting ID::  68012
Giuseppe Abbati
Abbati Lattaio di Piagentina
Il lattaio di Piagentina, ol/tl, 39 x 42 cm
   
   
     

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     Giuseppe Abbati
     Italian, 1836-1868 Abbati was born in Naples and received early training in painting from his brother Vincenzo. He participated in Garibaldi 1860 campaign, suffering the loss of his right eye at the Battle of Capua. Afterwards he moved to Florence where, at the Caffe Michelangiolo, he met Giovanni Fattori, Silvestro Lega, and the rest of the artists who would soon be dubbed the Macchiaioli. While his early paintings were interiors, he quickly became attracted to the practice of painting landscapes en plein air. His activity as a painter was interrupted during 1866 when he enlisted again in the army for the Third Independence War, during which he was captured by the Austrians and held in Croatia. Returning to civilian life at the end of the year, he moved to Castelnuovo della Misericordia and spent the final year of his life painting in the countryside. Abbati died at the age of thirty-two in Florence after his own dog bit him, infecting him with rabies. Giuseppe Abbati, The Tower of the Palazzo del Podesta, 1865, oil on wood, 39 x 32 cm.His paintings are characterized by a bold treatment of light effects. He often painted a luminous landscape scene as seen through the doorway of a darkened interior, as in the View from the Wine Cellar of Diego Martelli (1866). Some of his late landscapes are in the greatly elongated horizontal format often favored by the Macchiaioli.

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